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I bought this in 1995 at Brashs
(now Allans) in Sydney. It was marked
down from $1700 to $1200 (AUD). I enquired about it with the manufacturer and they informed me it
was an S6 with flame maple back and sides, ebony fretboard, mahogany
neck. It has a serial number but no model number so I suspect this was
some sort of one-off special model they made. It certainly is a lot
more flash than the standard S6 model. They also said it would cost
$1700 USD which at the time was around $AUD3000 so I think I got a
bargain. There are a whole stack of much cheaper S-series models
available these days, but they don't compare. This guitar has a huge
bottom end and is great to play. It comes with cutaway and LRBaggs
electronics. The closest thing in the current model lineup I've found is the Artist Series 'Cameo' model. |
| A classic - you've
got to have one. I picked this up for $800 in the mid 90s. It is a
genuine Fender Strat, not a Squier, though it is made in Japan. That
said, it is excellent quality. It has had some customisations performed
on it by someone who knew what they were doing. It has Lace Sensor
pickups, roller nut and lovely Sperzel tuners with string clamps. |
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| This is my most recent purchase
(March 2003), a 12-string jumbo. If
you've played a Taylor you'll know what superb instruments they are.
Sparkle is a specialty. Sounds great plugged in. Tremendous dynamic
range acoustically too. Almost as easy to play as a 6 stringer. Taylors
come with Elixir strings as standard, which are great for longevity.
The only problem is over $80 a pop for a 12-string set. Ouch! Check out
the beautiful finish of the koa woodgrain. This purchase necessitated a trip to Pro Audio in Canberra (Hi Josh). |
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Another Brashs
special. As this
was my first bass after playing guitar for a number of years, the
narrow neck was attractive to me. I think it was either second hand or
had been in the shop for a while as the finish wasn't brand new. It
cost me $AUD1800 in 1989. This instrument is neck-through in design,
but has a huge amount of punch and the pickups are very hot for a
passive bass (hotter than the active TRB below). The only drawback is
the narrow neck can make certain types of slap playing difficult. But
it's always a pleasure to pick up and play and it sounds fantastic
recorded. |
| With a fretted in the cupboard
it seemed only right that a fretless should eventually join it. I
bought this new from Venue Music in March 1996 after a long time
shopping around. I discovered there were hardly any fretless basses to
choose from in Sydney and I searched high and low. Nonetheless, I'm
happy with this bass. This TRB is the Mark I model which unfortunately
has quite noisy electronics, a characteristic apparently fixed in the
Mark II model. If I was tempted to change any of my instruments it
would be this one for a Mark II (which also has a 35" scale length).
Other than that, it does the job. The active EQ gives quite a good
range of sounds, from woody acoustic to scooped clean to the classic
fretless bwah. |
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Originally I didn't
have a photo of this up here due to embarrasment, but I include
it here for completeness, although by rights it actually belongs to my
Dad. I borrowed it about 20 years ago and haven't returned it and he
hasn't asked about it (too often). This is your standard 6 string nylon
classical guitar. It was second hand when Dad bought it for $40 in
1971. It's pretty beat up, but has a surprisingly lovely clear tone and
a good usable action (unlike some horrible things you see kids trying
to learn on). I don't know what brand it is - there used to be a sticker
inside, I think, but it fell off long ago. It started getting a bit tatty
looking (in the 80s I think) so I stuck on some shiney stickers. The
blue and white one is a Holy Spirit dove symbol, and the silver and red
one is a turkey! Don't ask me... |
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I've had a Dingwall on my shopping list for over 10 years. Finally an
opportunity came up to get one at a relative bargain. I had it shipped
from Phoenix to NYC where it sat under a friend's bed for 6 months waiting
for a trip home. This bass
uses the Novax fanned fret system, which works on the same principle as
a piano, with longer strings for lower notes. This gives better, more
even string tension. More pics from NYC, and some more from the original seller.
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