Over the past few years, most Zebra Finch
breeders in Australia have come to understand the logic of the Marked White
Series of mutations being grouped together. With this article I hope to explain
the current knowledge on this group of mutations and what the various forms
(Marked White, Chestnut Flanked and Cream Backed) actually are and how other
genes modify this group.
For a long time now,
breeders in Europe and elsewhere have recognised that like all colour mutations
(except white), Marked White can be combined with other mutations. And although
the differences may be slight, variations caused by these combinations can be
identified. They have standards for both grey and fawn forms of these
birds. Nowhere else apart from Australia, are the Marked White and
Chestnut Flanked variations separated.
Put simply,
these two classes of birds are but variations of each other at either end of
extremes. We have tried to select for either end of the spectrum when setting
our two standards. The bird with no marking dilution we have called Marked White
and the bird with the markings diluted we called Chestnut Flanked. It is
important to know when reading foreign articles that they universally call the
mutation Chestnut Flanked, their aim being to have full colour markings, and the
dilute birds are viewed as poor quality (nothing more). The difference between
our two birds is genetic, but not simply genetics controlled by a single gene
that can be seen separately. Instead the difference is caused by modifying genes
that can be carried by other mutations without visible effect, yet
interact with the Marked White/Chestnut Flanked gene in a multitude of ways to
give all the variations we see.
Some people have
suggested that the Marked White we have today is not the 'pure' form , that
somehow it has been changed by other genes . Older fanciers talk about the old
days and the Marked Whites with the beautiful black markings, that were lost by
inbreeding with Chestnut Flanked. If these statements are true then the original
Marked White no longer exists and the standard we have today is for a selected
form of Chestnut Flanked. But I can not help having doubts about the accuracy of
memory, when the same mutation overseas has the same problems we have - with
faded tail bars, faded cheek patches. If the mythical 'perfect' Marked White
ever existed, surely the large number of breeders internationally would have
saved it or resurrected it if it was possible. Whilst the Marked White and the
Chestnut Flanked are but variations, there are distinct genetic combinations of
the Marked White/Chestnut Flanked gene with other genes. As mentioned earlier,
the fawn gene can be combined with the Marked White/Chestnut Flanked gene. It
does however require crossover to combine the genes, a relatively uncommon
occurrence in the case of these two genes. Once you have them linked though, it
is also difficult to separate them. When the two genes are combined, the result
is all 'Black Markings' changing from grey series to fawn series. You can
therefore have a Fawn Marked White and a Fawn Chestnut Flanked as well as all
the Marked White/Chestnut Flanked variations you know of.
The Fawn Marked White is what the South Australians
had in reasonable numbers and called Chestnut Flanked White. Unfortunately
because some societies in the Federation could not understand this issue,
and instead of recognising the bird for what it was, we had the Fawn
Chestnut Flanked standard created. This combination does exist but is not as
attractive as the Fawn Marked White. Interestingly, the people instrumental in
forcing this standard upon the Federation, are now questioning its existence.
Both Fawn Marked White and Fawn Chestnut Flanked are recognisable phenotypes,
but I would not push for standards for both as whilst they exist, their
popularity is insignificant.
The Marked
White/Chestnut Flanked gene can also be combined with the Dilute Blue/Silver
gene. Once again a discernible phenotype occurs. The action of the Dilute
Blue/Silver gene is to further dilute all markings and clear out the body. The
effect is greatest in the cheek patches where the two genes are able to
eliminate all pigment and produce a white cheek patch. I like to call these
birds Silver Chestnut Flanked due to the white cheek patches. However quite dark
Dilute Blue genes will still create a white cheek patch when combined with the
Chestnut Flanked gene.
Pied, Yellowbill, Blackface
and Blackfront can all be combined with the Marked White/Chestnut Flanked gene
with the outcome being determined without difficulty.
Finally we come to the Creamback issue. This bird
(for show purposes) is a modification of a variation and a combination. The
first modification is the Creamback gene that creates a creamy back on any other
of the Marked White/Chestnut Flanked variations. It does not exist by itself,
but it can be expressed on anything in the Marked White/Chestnut Flanked series
including the fawn combinations. The Creamback modifier is dominant to white
back. The Creamback for show standard is the Cream Backed modification of the
Fawn Chestnut Flanked. This bird can also be combined with the Dilute Blue gene
to produce the Silver Creamback - a Creamback bird with white cheek patches.
How many of these birds should be recognised? All
should, but not all or even many should have standards. Every judge must
recognise and understand how these combinations and variants form so they can
classify and assess the birds they are asked to assess. But it is pointless
having standards for every bird possible if no one is interested in showing
them.
It is also important that standards be
distinct from one another. So with this in mind I am happy with the status quo
for a number of mutations, but would like to see the fawn series Chestnut
Flanked become a Fawn Series Marked White (this is after all what it was
supposed to be). At present we have three variations of the Chestnut Flanked
form but only one of the Marked White form. It would be a lot easier to separate
them if we had two for each.