Beyond The Rock

27

 

GUNFIGHT AT BATEMANS BAY

 

 

The piano was loud and pumping in typical Jerry Lee Lewis style. Mr. Muckle was thumping out heavy rock’n’roll riffs and Kevin Barker was screaming out like an early Johnny O’Keefe. No, it wasn’t Winifred Atwell on piano; it was our old mate Jumpin’ Jimmy Taylor. Michael Lawler and I were playing out our 1972 Xmas break from Winnie with the “Jimmy Taylor Rock Revival” at Bonaparte’s Nightclub in the Whisky a Go Go.

EMI record producer, Rod Coe, was in the audience and he invited us to come to the studio the next day and put down some Jimmy Taylor tracks with the addition of Col Loughnan on sax. Jimmy had never sung all that much in the past and we encouraged him to add a few vocals to his repertoire. The whole thing was a welcome rock’n’roll diversion from our busy schedule with Winifred Atwell during the past year. Rod Coe was thrilled with the piano and backing tracks, but unfortunately when Jim finally added his vocals, they sounded a bit too rough. EMI executives decided that the general public wasn’t ready for Jimmy Taylor’s raucous voice and Jim’s singing career was put on hold.

Meanwhile, 1973 was already shaping up to be a busy year for the Pooh and the Zarsoffs. Winnie had a new agent, Brian Fogarty and the book was filling up fast. The year began with a NSW south coast tour with comedian BRIAN DOYLE as our support act. Brian was a very funny Irish comedian with sense of humour that always included the dark side. Brian needed no musical backing for the first half of the show and he introduced Winifred Atwell in the second half. Prior to this introduction he did a ten-minute comedy spot while the band crept onto the stage in preparation for Winnie.

The sight of three guys standing behind him in dinner suits and poof- fronts was too much for Brian, and he couldn’t resist sending us up. He started a little routine where he would ask the audience how they went on the pokies.

“Did anybody get three aces?” he asked. “Did anyone get three kings?” Then he would point to us and say, “Does anybody want three queens?” It usually got a bit of a laugh, but by the third night in Batemans Bay we were sick of it. The honour of Zarsoffs was at stake and we were looking for revenge. We went to the local shops the next day and purchased three high performance water pistols and planned our attack for the next performance.

The timing for the assault had to be perfect and the pistols had to be filled just before we went on so they wouldn’t leak too much inside our pockets. As Brian turned to deliver his line “Does anybody want three queens?” we opened fire and scored three direct hits to his face and head. Poor Brian was in a state of shock. He just stood there dumbfounded. The audience thought it was part of the act and they went wild with laughter and applause. While we holstered our guns and pretended nothing had happened, Brian tried to continue on, but it was impossible. He had completely lost his routine. There was nothing left for him to do but introduce Winnie and look for a towel.

The following night at Eden Fishermans Club was even funnier. Brian came on dressed in a raincoat and hat in preparation for the drenching. When he delivered his line he took cover and we just ignored him completely. The audience couldn’t figure out what he was doing in a raincoat and he lost it once again.

 

HORRIBLE HUBERT

 

An emergency came up just as we were preparing for our trip to Western Australia in February. Diamond Jim discovered that he had the dreaded haemorrhoids and the doctor booked him into hospital on the day we were to go to Western Australia. Our first show was in Bunbury and we had no option but to book a local guitarist. The show was a disaster but the audience loved it anyway. We expected Jim to arrive the next day for our important show at the Perth Concert Hall. Jim rang Winnie and told her that he couldn’t make it and he was sending a dep called Hubert, who used to play with Frank Ifield. “Well, anyone who is good enough to play with Frank Ifield is good enough for me,” said Winnie.

Although he called himself Hugh Williams when he played a few times with the Daly Wilson Big Band, Michael and I only remembered Hubert from a lot of heavy rock’n’roll bands. Hubert had an unpronounceable last name so Michael called him Hubert Powerpoint.

   Hubert arrived in Perth the next day with a long ponytail and a borrowed dinner suit. He was surprised when he was picked up by a limo and brought to the hotel. “Wow!” said Hubert “I’ve never been in a single room before. I’m not used to all this luxury. This is better than the rock’n’roll.” Hubert wandered around his suite for a while and then he knocked on the door. “I feel a bit silly in there,” said Hubert. “Is it alright if I come into your room for a while?”

“Sure,” said Michael. “We better give you a quick run through of Winnie’s show.”

That night the Concert Hall was packed with some of Perth’s finest dignitaries including the Premier and the Mayor. Unlike a theatre, a concert hall has no curtains, so when the orchestra comes on stage they are always greeted with polite applause, which ceases when the members of the orchestra take their seats. Tonight was no exception, but it was certainly something that Hubert wasn’t ready for. As Michael and I walked onto the stage in a dignified manner, Hubert followed behind carrying his guitar over his shoulder like an axe. When he heard the audience applaud, he was so surprised that he stopped in his tracks and waved at them. Hubert was the only one with a music stand and when he sat down his stand fell over and music went everywhere.

Michael and I hid our heads in embarrassment as I waited to play the timpani roll for Winnie’s introduction. To our surprise Hubert then started to tune up, very loudly and a number of deafening farts and blurts issued forth from his amp. When the coughing died down, I could wait no longer. I played my roll, the introduction was made and I counted Hubert into the Jesus Christ Superstar chaser. It was nothing like anything we recognised, but when we finally managed to get Hubert to stop playing, Winnie started slowly into our first number.

A few more shipwrecks followed, but surprisingly enough the difficult arrangement of Macarthur Park sounded pretty good. Everything was going reasonably well until we came to the classical spot. Half way through the Warsaw Concerto Hubert started to tune up again. The black looks were coming thick and fast that night and Michael and I were pretty relieved when we finally got into Glory, Glory Hallelujah for the finale. The encores and standing ovations were a tribute to the patience of the enthralled Perth audience. Even Hubert thought it was fabulous.

“That horrible Hubert,” said Winnie after the show. “I wouldn’t be surprised if Jimmy sent him here on purpose.”

Whenever Winnie arrived in Perth there was usually a photo of her arrival at the airport on the front page of the local newspaper. Western Australians were still under the impression that Winnie was an overseas artist and we were treated accordingly. Some of the feudic suppers were quite grand occasions and the Zarsoff Brothers were treated like Russian nobility. Hubert didn’t let us down on these occasions and he surprised us by conversing in fluent French to some of the prominent guests at the mayoral reception. It seemed like we could get away with anything. Even the occasional strange notes from Hubert seemed quite acceptable to our Western Australian hosts.

FEBRUARY 11, 1973: On the last night of the tour we were invited to a huge feudic supper after a charity show at the Perth Veterans Hospital. The party was held at a luxurious mansion, owned by one of the local wine barons. Dressed in his borrowed dinner suit and poof-front, Hubert was still dazed by the opulence that surrounded the whole tour. “This is nothing like the rock’n’roll is it?” he confided to me as we rubbed shoulders with the local gentry, some of whom thought that we were even richer than they were.

Just when Hubert was starting to feel relaxed, Michael did a great trick knee and crashed to the ground near the pool. This time the joke almost backfired when three doctors from the party came over to check his leg out. Luckily, Michael distracted them by opening a beer bottle with his eye.

Lew kept the guests enthralled with his stories, and after we sampled some of their excellent wines, Lew asked Michael and me to perform a trick that hardly ever worked. “I will now throw this cigarette in the air,” said Mr. Muckle in his best W.C. Fields voice. “The cigarette will do three and a half somersaults and land in my mouth. Leon will then shoot the cigarette out of my mouth with a match from a distance of three paces.”

It was amazing enough that the cigarette landed in Michael’s mouth, but I could hardly believe it when I flicked the match and it broke the cigarette in half. I don’t know who was more surprised. It was one of the first times that it had ever worked. Our attentive spectators were astounded and a round of applause followed. Michael and I bowed and pretended that it was nothing, really. It seemed that we could do no wrong. Horrible Hubert was having a wonderful time while Diamond Jim languished at home nursing his piles.

The most impressive trick of the night was when our generous host took us down to his extensive wine cellar and we were asked to nominate our year of birth. He then produced a vintage port of the corresponding year for our consumption. The 1942 vintage was exceptional.

 

THE WINE-OCEROS

 

During our tours, Lew elected me as the wine taster and Michael and Jim gave me the honorary name of the ‘The Wine-oceros’. It was a task that I readily accepted, especially as I hardly ever had to pay for any of my extravagant selections. Winnie and Lew had a couple of favourite French reds: Nuit St. George and Chateau Neuf du Pape, and it was my job to win them over to our great selection of full-bodied Australian red wines. With price not a consideration, the Wine-oceros selected some wonderful wines during our tours and if there was anything outstanding, Lew would invariably order a case to be sent to his unit in Narrabeen, where, much to the horror of his neighbours, Lew bricked in one of his carports for a wine cellar.

Elizabeth Hardy was a great fan of Winnie’s, and whenever we played the Adelaide theatre she would invite us to her vineyard for lunch where the famous brothers Hardy would offer a taste of some of their finest vintages. Most of the hosts at our feudic suppers were always keen to impress Winnie with their favourite wines. Winnie’s tastes were really quite simple, and with her usual half a glass she couldn’t really tell if the wine was all that good. That didn’t stop Lew and the rest of us from becoming wine connoisseurs and avid drinkers of the finest Australian reds. No feudic supper was complete without a selection from the Wine-oceros.

Mr. Muckle also became the antique items and furniture expert. While we were in Broken Hill Michael found an old lounge suite on offer for $700. When he asked Lew for some cash to buy it, Lew became very interested and bought it himself. Back in Sydney, Winnie sent it to be upholstered, and it turned out to be a rare Edwardian suite valued at $15,000. Michael was furious and he was reminded every time we went to Winnie’s unit and saw the suite sitting next to the grand piano.

On our return from Perth I attended a celebration at Jon Hayton’s place on February 13. Jon and Wendy had just adopted a part-Aboriginal baby and they called him Daniel. He was a welcome addition to their three other children, Paul, Rachel and Rebecca. Daniel was a great little kid, although when he got older Jon always complained that he was trying to build a “humpy” in his bedroom.

Jon was still playing with Col Joye & the Joy Boys and after a long period off the charts they recorded Heaven Is My Woman’s Love, which went against the trend and became a hit in June 1973.

Diamond Jim recovered from his piles and Winnie forgave him for sending ‘Horrible Hubert’. We made amends to Perth when we returned again with Jim a couple of months later in March. As well as four packed-out Perth Concert Halls we also got the chance to play Kalgoorlie and a place called Manjimup. 

From concert halls and mayoral receptions, the Zarsoffs were back on the job again in Sydney with a week at Granville RSL and a week at Manly-Warringah Leagues Club. Although we did a lot of one night stands, some of the bigger clubs like St. George Leagues would often book Winnie for 6 nights a week for a whole month. These shows were always booked out and the place was packed every night.

 

THERE’S NO BIZ LIKE SHOW BIZ

 

Alex the doorman at the Mandarin Club opened the door and welcomed us into the club. We were still dressed in our stage gear from a show earlier that night. Michael reckoned that the dinner suits and poof-fronts were a passport to anywhere. And he was right. Other mere mortals with coats and ties were being turned away in droves. We said hello to the Mandarin Club Band (Raddy, Gavin and Milan) and made our way to the dining room to meet up with Winnie and Lew. Some of the clubs we played in Sydney didn’t have the facilities for a late feudic supper and the Mandarin Club became one of our regular last resorts for an extravagant banquet.

One of our gigs that month was a Michael Lang Production at the dreaded Kogarah RSL. When we arrived in the afternoon Michael tried to get a hamburger before we went on. “I’m sorry we can’t serve anyone with long hair,” said the waiter at the RSL bistro, “Can’t you read the sign?”

Michael looked behind him and sure enough there was a sign that read: “PEOPLE WITH HAIR BELOW THEIR COLLAR NOT ALLOWED PAST THIS LINE.” Michael was disgusted. “Well, how on earth can I get a hamburger?” The waiter just shrugged his shoulders. Michael returned to the band room and Winnie asked him if he managed to get something to eat. When Michael told her the story Winnie was furious. “Lew, go and tell the manager that if this place is not good enough for my band to eat in, then it’s not good enough for us to play in.” A few minutes later there was a huge panic and suddenly a couple of hamburgers appeared in the bandroom. All was forgiven and Sir Frank prepared the stage for our spot after the supporting acts closed the first half.

A popular segment in the show featured a few movie themes like Exodus, Lara’s Theme (Dr. Zhivago) and Zorba’s Dance. During this segment Winnie featured Jim’s guitar in our arrangement of the theme from Airport. Jim created some fabulous sounds and colours and the audiences loved it. When we were half way through playing Airport, Diamond Jim suddenly felt a dig in his back from behind the curtain. “Turn down, you’re too loud,” said the voice behind the curtain. This was followed by another dig into Jim’s back. This time Jim instinctively thrust his elbow back as hard as he could. There was a loud groan followed by the sound of a body hitting the floor. “I wonder who that was?” said Jim with a look of indignation. “I think it was the manager, Michael Lang,” I replied.

At the end of the show we headed for the wings and were stopped by Michael Lang, who was still clutching his stomach. “No, no, you’ve got to go back on with the whole cast and sing There’s No Business Like Show Business,” he moaned. Lew interrupted him. “I’m sorry but Winnie doesn’t do encores with other people.”

“But it’s the tradition,” he cried, as we all ignored him and made our way to the Mandarin Club for our late feudic supper.

The only other club that had a problem with long hair was Eastern Suburbs Leagues Club. Any form of discrimination was a pet-hate of Winnie’s and she made it known that if there was any problem with the band’s long hair, then she would refuse to play the gig. Consequently, we had the distinction of being the only people with long hair allowed to roam around the club. And we made a point of it.

It was still nice to get out of the NSW clubs every now and then, and we welcomed our little trips to Melbourne and Queensland. On our way to Rockhampton in March we stopped at Brisbane to play at the Redcliffe Football Club, and during our stay we ran into the Delltones. We were a little embarrassed about staying at the Crest Hotel while the Dellies were staying in some crappy house in Brisbane. Pee Wee was not his usual happy self. He thought that the Delltones had become irrelevant in the seventies. They had tried to do new things without success, and now the Bird was convinced that they were permanently stamped in the old rock’n’roll mode. To make matters worse, the Dellies had been playing in the Brisbane Whisky au Go Go a couple of nights before and they were lucky to escape with their lives. Some lunatic planted a bomb under the bar and five minutes after they left the club at 2am, the bomb went off and killed 15 of the patrons.

Pee Wee and Brian had been in the Delltones for 15 years and they thought it was time to take Timothy Leary’s LSD inspired advice by moving to the country and becoming farmers.

“You can’t retire,” said Michael, “people love the Delltones.” The debate continued but the Bird was adamant. When I added that Johnny O’Keefe was planning to put on a show called ‘The Good Old Days Of Rock’n’Roll’ Pee Wee shook his head. “He can have it on his own,” he said, “Rock’n’roll is dead and nobody wants to know about the Delltones any more.” The two newest Delltones, Sep and Bob disagreed and vowed to stay on in the business and explore new avenues as Martin & Pierse.

“What was the biggest selling record in Australia?” asked Pee Wee in his booming voice. Somebody replied, “The Pub With No Beer.” The Bird pointed his finger. “I rest my case,” he said, while everyone just looked bewildered and confused and lit up another joint.

This was our last contact with the Bird and Brian for 1973. They later put their plan into action and bought a farm on the north coast at Eungai. Not only were they dropping out from the rock’n’roll scene, they were dropping out of society altogether. We wished them luck and headed for Rockhampton. I was beginning to think that we were lucky to be insulated from all of this while we were still playing with Winnie.

 The seventies seemed to be producing a lot of unrest. We ran into Billy Thorpe at Brisbane airport and he also seemed to be struggling to make some sort of a comeback from his earlier period. Billy was determined to shrug off his old clean-cut image and re-invent himself as a heavy rocker in the thriving Melbourne Pub scene. “If they think I’m gonna sing Somewhere Over The Rainbow, they can stick it up their arse,” said Billy. The rock fans were still out there and Thorpie was as qualified as anyone to carry the flag.

Diamond Jim was also becoming more and more restless because he wanted to leave the Pooh and start his own contemporary rock band. Jim had been with Winnie at least a year longer than Michael and me, and he thought it was time for a change. There was one more big tour coming up in New Zealand and Jim decided that this would be his last.

 

MAGIC PUDDING IN THE SHAKY ISLES

 

APRIL 26, 1973: Winifred Atwell & the Magic Pudding boarded our Air New Zealand flight for Christchurch. Lew finally got his way with his choice of the ‘Magic Pudding’ for a band name. “We’ve got to sound Australian,” said Lew. “They’ll never understand the Zarsoff Brothers in New Zealand.”

There was a bit of excitement on the plane when Gavin discovered that he had a small block of hash in his pocket. “You can’t take that to New Zealand,” said Michael, “It’s almost a hanging offence over there.”

“He’s right, what are we going to do?” I groaned, “You can’t very well throw it out the window.” Jim took hold of the offending dope. “We’ll have to eat it!” he said.

The dessert arrived – ice cream and prunes. “Look,” said Jim as he broke off a few pieces, “It’s the same colour as the prunes.”

About an hour later we hit the New Zealand coast and started to fly over some spectacular snow covered mountains. The four of us were ecstatic. The mountains couldn’t have looked all that good, but for the next half hour there was an inordinate amount of oohs and aahs as we finally made our approach to Christchurch Airport. When our wide-eyed troupe finally managed to glide through the corridor into the Customs area Michael was singled out by one of the officers.

“I think they’re onto us,” said Jim in a nervous whisper. “Try to act normal.” The prunes and the hash seemed to be taking their toll.

“Whaddiya got in there?” said the Kiwi customs officer, pointing to Michael’s bass case. Michael freaked out and dropped his case. He was about to put his hands up and surrender when the officer asked if he could check out his deer rifle.

“It’s not a deer rifle. It’s an electric bass!” said Michael.

“She’ll be right, mate. Go right on through,” said the customs officer. Jim and Gavin breathed a sigh of relief.

A sea of surreal new faces greeted us and we were taken to the Clarendon Hotel. “Must have been a rough trip?” said our NZ promoter, Chris Cambridge as we all stared straight ahead at the unfamiliar traffic of strange old cars.

   The first week we covered the South Island of New Zealand, playing at Christchurch Concert Hall, Timaru Town Hall, Dunedin Concert Chamber and Invercargill Civic Theatre (just a few miles north of the Antarctic). The receptions were warm but the weather was freezing. The conservative NZ critics were more than generous, giving blow-by-blow descriptions of the show, including a few rave reviews on the emergent Magic Pudding.

 

WINIFRED ATWELL’S MAGIC STILL POTENT

   What do you say? You can only say that Winifred Atwell creates her own kind of magic and she proved it again in the Dunedin Concert Chamber last night.

   Her capacity audience were obvious fans, but even if you weren’t, as the evening progressed the atmosphere caught you up in its own excitement, sentimentality, or rhythm.

   Winnie came on stage with charm and vivacity and proved also that a real trouper can adapt to changing tastes and conditions. So she included in her selections themes from the films, Jimmy Webb’s MacArthur Park and Hava Nagilah, which makes you clap whether you want to or not, as well as other modern hits.

   Audience participation was readily given – singing the oldies from You Made Me Love You to If You Knew Suzie and providing a clapping rhythm for others.

   The ever-popular rags were provided, but so too was the classical.

   The backing was given by The Magic Pudding – Jimmy Doyle (lead guitar with a sense of humour), Michael Lawler (bass) and Leon Isackson (drums). For many of the middle-aged audience, the guitars would have been seen in a new light, no doubt. This was a quality and apt backing sound, at times perhaps a little overpowering, but always giving a beat.

   Some neat lighting changes provided further presentation polish.

   And as Winnie, gorgeous in her fur-trimmed cape came on stage to play Now Is The Hour, the last of her many encores, her own brand of magic was taken away by an audience which showed its appreciation with a standing ovation.

 

   Once we reached Auckland there was a lot of flying around the place, some of it covering only short distances. Rather than miss out on all the beautiful New Zealand scenery, Jim, Michael and I requested a Fairlane to make our own way to some of the gigs. This was better than waiting around Auckland Airport just to fly a few miles to a place like Hamilton or Tauranga and our tour manager, Peter, was pleased with the reduced cost. My important role as tour navigator meant that we always took the scenic drive or see-Nick-root. While Winnie and Lew flew, we had a fabulous time stopping at thermal pools, checking out rivers and caves and all the usual tourist spots. Every show in New Zealand was a sell-out and the lavish feudic suppers continued after each show.

At Hamilton, Michael invited a rather attractive girl to our feudic supper at the Waikato Hotel. Always the gentleman, Mr. Muckle offered to take her fur coat at the dinner table. The offer was refused, but later after dinner in the privacy of Michael’s room she finally agreed to relinquish the fur coat. Michael was more than astonished when she revealed that she had not a stitch on underneath.

While the rest of us partied on across the hall in Jim’s room, Michael wondered what he was going to do next. Still dressed in his dinner suit, Mr. Muckle tried to hide his embarrassment by casually offering his naked guest a drink. She refused his offer and pulled him onto the bed.

During a passionate embrace Michael’s nude lady suddenly snapped and started to choke him. “You men are all bastards!” she screamed. Michael was so startled; he leapt to his feet and offered to put her fur coat back on. She refused to dress and after a few minutes she pulled Muckle back onto the bed and the entire episode was repeated once again. By the third time Michael was totally confused and battered. He excused himself and came into Jim’s room.

“What happened to the girl in the fur coat, Muck?” said Jim.

“I don’t know what to do,” said Michael, “She’s a maddie!” When he explained what was going on, we suggested that he send Gavin in. “Tell him there’s a bun on, and he’s next,” said Jim. “Good idea,” said the Muckle.

We followed Michael and Gavin into the room. Michael’s guest was standing next to the bed, but she was now wearing her fur coat. “I’d like to introduce you to Sir Frank Packer,” said Mr. Muckle. She dropped her fur coat to the floor and stood in front of Gavin. “Well, what do you think?” she said.

Gavin’s eyes nearly bulged out of his head. He immediately dropped his trousers and said, “Well, what do you think of this?”

WHAAACK! She let fly with a right hook to Gavin’s head. Gavin’s trousers were around his ankles and he landed flat on his back. “I’m sorry, Muck,” he kept repeating as we dragged him out of the room.

While we were staying at the Auckland Intercontinental, we decided to check out the local music scene. We were surprised to see that the old Top Twenty nightclub was still going under the new name of Grandpa’s. This was one of the places that Michael and I played back in 1965 when we were the Rajahs.

We were looking for singer Tommy Adderly, and a few of our NZ musician friends from those days. When we walked in we were surprised to see that the place was full of very young people and only soft drink was being served. For the first time in my life I was feeling old, standing around with a crowd of young people, listening to a young, amateurish band. It wasn’t until we eventually ran into a very gaunt Tommy Adderly that we realised we were in the wrong place. We renewed our acquaintance with Tommy, and he explained that we were in Grandma’s. Grandpa’s was upstairs. “Follow me, lads,” said Tommy in his broad Manchester accent.

Now this was more like it. The crowd was more our age, and the band was fabulous, with various players sitting in, such as Mike Walker on piano, Jimmy Hill on drums and Billy Christian on bass. We remembered both Jimmy and Billy from Ray Columbus & the Invaders. Tommy handed me a bourbon and coke and we caught up on all the New Zealand music gossip about who was playing where and who was up who, and who hadn’t paid. It seemed that the music business was fairly quiet and a lot of the good Kiwi players were now living in Sydney.

The touring Zarsoffs still managed to find a couple of other places like Mojos nightclub and the Tainui Hotel. The Kiwis always had a few good bands, but it was still hard to make a good full-time living out of music in the Shaky Isles.

Godspell was playing in town and some of the cast invited us to the show. On one of our few nights off we were also invited to catch Cliff Richard’s show at the Town Hall. Cliff had also recently discovered God, and during his religious songs I fell asleep. It just wasn’t the same without the Shadows.

In 34 days Winifred Atwell and the Magic Pudding had covered every major town and theatre in New Zealand, and although the tour went well it was a relief to be back in Sydney for a rest. During our time away Lew had also convinced Jim to stay on with Winnie until we finished our four-week engagement at St. George Leagues club in June and July. Arrangements were made for our obvious choice, Jon Hayton to replace Jim and start at the end of July 1973.

 

To Chapter 28 Winnie and the Rajahs

 

 

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