Mural
The Essendon football club has a very proud heritage, with many
of the league's greatest players wearing the Red & Black. Towards
the end of 2001, Essendon commissioned a mural depicting 16 players
who exemplified the sorts of values that have taken the club to
it's current position of strength. Artist Jenny Steiner took around
eight months to create the mural which now surrounds the new club
gymnasium facilities, almost enclosing the 'mini oval' where the
current crop of players work through set plays and general game
tactics. Each player depicted was chosen by Kevin Sheedy with input
from assistant coach Robert Shaw.

The start of the Mural has Roger Merritt under the
banner of "Aggression". Merritt was one of the toughest
men in VFL footy during the mid eighties. Notice the gym equipment
and 'boundary line' from the mini oval in the foreground. The Mural
is certainly fine art, but the new gym isn't the Louvre and is in
regular use by the players.

Terry Danniher and Ian 'Bluey' Shelton encompass
the "Passion" and "Strength" attributes. TD
was a player who often played on passion alone, with Sheedy once
commenting that he was the only player whom he would fine for turning
up to training. Bluey Shelton was one of Essendon's great half backs,
with his physical presence likened to that of the rock of Gibraltar.

A while ago it was thought that Sheedy was less
impressed than the rest of the football world with James Hird due
to him being nothing like a 'back pocket plumber'. Those days are
well and truly gone, and the dedication of "Inspiration"
to the current skipper shows that Sheedy, like almost everyone else,
is well aware of just how amazing Hird's contribution is to Essendon
when we need him most.

Bill Hutchison is one of the greatest players ever
to play the game, let alone just with Essendon. His efforts rank
him in the top few players to have ever pulled on a pair of footy
boots, including 7 EFC B&F's , 2 Brownlows and countless other
honors. During the golden 40's and 50's he was the "Soul" of the
club.

Reg Burgess, Mark Harvey and Michael Long were chosen
as the perfect examples of "Touch", "Warrior"
and "Vision". Burgess is another of the 1950's era players
that Sheedy would have supported as a kid, watching him play many
brilliant games on the wings at Windy Hill. Mark Harvey's toughness
is legendary, never willing to allow his countless injuries stop
him from diving under a pack to win the hard ball. Michael Long
exemplifies vision in a way that often made supporters sit simply
in awe, able to run, sidestep and deliver the ball with a level
of skill that saw him take the Norm Smith medal in 1993 when he
put it all on show for the biggest day of the year: the Grand Final
in the year of the Indigenous People.

Richard 'Dick' Reynolds is one of the AFL's Legends
as well as being a Hall of Fame inductee. One of only two players
to ever win three Brownlow medals, King Richard is easily one of
the greatest players to ever grace an Aussie Rules oval. His record
of 320 games included 224 as captain and during the 10 years from
1941 to 1950 he led Essendon to 8 Grand Finals, in four of which
he held the Premiership cup aloft. Without a doubt, he was "Brilliance"
personified.

Tim Watson and Norm McDonald were given the honors
of depicting "Versatility" and "Speed". Watson,
who is still the second youngest player to ever play league footy
had all the skills, and his flair was evident no matter if it was
scoring goals on the run, dodging opponents or delivering a pinpoint
pass from a back pocket. McDonald was a brilliant winger, where
he used his pace to make the opposition look decidedly flat-footed.
McDonald was the first Aboriginal to play for the Bombers back in
1947 and showed his pace by coming second in the Stawell Gift one
year.

The greatest full forward ever to play the game,
John Coleman, is depicted taking one of his trademark leaping marks
beside the caption of "Leadership". Coleman's raw talent
was only part of what made him the greatest, with his determination
and charisma allowing him to take the players around him to new
heights with back to back flags in 1949 and 1950 when he kicked
100 and 120 goals in the two seasons. Even as a coach Coleman's
drive to succeed brought out the best in his team as he brought
the club two more flags in 1962 and 65 from the coaches box.

Simon Madden's "Courage" was never doubted,
with it taking him to an Essendon record 378 games over 19 years.
Madden showed exactly what he was made of early in his career, filling
the gap left by the departure of Brownlow medallist Graeme Moss
impeccably after only years as a regular in the seniors as the Sandgroper's
understudy. Perhaps his best example of courage came after being
dropped due to poor form linked to his immune system attacking his
Kidneys. After two poor games in the Reseves Simon was given a lifeline
by Sheedy and showed his metal by kicking 8 goals in his senior
comeback - the one he regards as his greatest game ever.

Jack Clarke, Ken Fraser and Don McKenzie were chosen
to represent "Athleticism", "Loyalty" and "Pride".
Clarke was a lightly built centreman and rover, but used his athleticism
to great effect, repeatedly clearing the ball from packs. Fraser
was the ideal centre half forward, with brilliant marking skills.
In his first year as Essendon captain, Fraser led the Dons to their
11th flag. McKenzie was one of the best ruckman to play for the
Bombers behind Simon Madden, but relied on his nature and skill
rather than his height, which was modest for a ruckman, to win him
the ball. His aggression, stamina and big leaps all ensured that
his teammates got first use of the ball more often than not. All
three players in this section of the mural are depicted in a scene
taken from the 1965 premiership victory.
While the Gym is not regularly opened to the public,
I strongly urge anyone who is presented with the opportunity to
visit it do so without hesitation. The sheer size of the mural combined
with the great portrayal of some of Essendon's finest players ensure
that any true Essendon fan will struggle to keep their jaw from
dropping while gazing upon it.
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