Perfect
Cowboys in Action: A Perfect Mermaid by David Mamet, Cowboys #2 and Action by
Sam Shepard. moonlight directed by Fiona Atkin at ANU Arts
Centre Drama Lab, Thursday October 2
Saturday October 11, 2008.
Tickets $15 / $12 at the door.
Teatro Vivaldi dinner packages 6257 2718.
Absurdist comedy is
the common feature of these three short plays.
In each case, characters talk essentially because we human beings are
unable to not use our unique recursive brains to reflect on our experiences and
try to place ourselves somewhere sensible in our infinite ultimately unknowable
universe.
Is the mermaid,
supposedly seen while walking on the beach, with or without a tail, or a fish
head? Does one suburban cowboy actually
die from too much imagination, or perhaps from being hit by a truck? Can action, even gutting a fish, save us from
destructive rage or continuous internal dialogue which stultifies action? What’s really going on in the lives of
ordinary people like ourselves who can never stop thinking?
Fiona Atkin,
currently undertaking doctoral research on Sam Shepard, has shown how to put
academic study into theatrical shape.
She, and her cast including Ben Williams, Duncan Ragg and Samantha
Sangston, understand Mamet and Shepard’s philosophical and psychological world
very well, though their characters cannot understand themselves. The effect is often very funny to watch, but
less than comfortable to think about.
I came home to watch
politicians and economic commentators trying to explain global financial
volatility. moonlight’s Perfect Cowboys
in Action was the perfect antidote for despair, helping to see the comedy in
the absurdity. But then again, it’s hard
not to lock on to the absurdity and wonder if that’s the only reality. This is
not just an academic dilemma, but theatrically intriguing. Try not to miss it.
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