H5267: PART A: Exploration towards the Divine Mystery (cont.) (I)Ways of going towards the Divine (cont.)

(b)ORDER AND DESIGN AND SCIENTIFIC THEISM - cf. the Argument from Design, also called the 'Teleological Argument'

(A) Intuitive presentation:

: Touching the Divine Mystery in the midst of an experience of the beauty and order of the Natural World.


By itself it is probably not enough to justify belief in creation out of nothing, or in an infinite Creator, and by itself might well leave us undecided about benevolence or transcendence.

However, even the sceptical Hume is prepared to admit that a reasonable person would on the basis of the experiences accept "that the cause or causes of order in the universe probably bear some remote analogy to human intelligence".

But before we come to any conclusions about this, it is necessary to distinguish a number of significantly different philosophical codifications of this way relating to a number of different experiences.
 
 
 

(B)Technical details


Following on Swinburne, The Existence of God, Chs. 10 and 8, there is a need to distinguish three or four importantly different kinds of argument, corresponding to three or four importantly different kinds of experience or pre-reflective contact points.

Distinguish firstly between

and
 

I: arguments from PROVIDENCE may be themselves be of two kinds:


(i) arguments from Particular Providence: some particular pattern of order manifested on a unique occasion in a person's life-time: discerning the Lord/Lady's guiding hand in the events of my life or in the life of my community. Most appropriately expressed as 'testimony' of one kind or another, but can still be reasonable for a person who has the experience, and to some lesser extent also for others.
 

(ii) arguments from General Providence: the fact, if it is a fact, that the general features of the world are such as to show that a good God is providing for the existence and basic needs of conscious beings.
 

(II) arguments from ORDER


-- differ from arguments from providence in that here it is not the end to which the order contributes but the order itself which counts as evidence for a Cosmic Intelligence.

This order may be of two kinds, which once again gives us two forms of the argument (though they are often combined in one):

(i) the argument from spatial order or regularities of 'co-presence' (Swinburne): tends to focus especially on the order in the biological realm, animal and plant organisms, e.g. a human eye, but even a leaf would do.

Cf. William Paley's classic argument of the watch and the watchmaker.
 


(ii) the argument from temporal order or regularities of succession:

This is the strongest form of the argument, but also the form most susceptible to the difficulty mentioned above as to what exactly it can reasonably be taken as directing us towards:
:God as a subtle mathematician, Cosmic Architect or Demiurge, Craftsperson, with a feeling for beauty, good in an austere and equal kind of way but not particularly anthropocentric or animal directed. Not necessarily transcendent: for that we need the cosmological argument.
 

C) History of the design approach in philosophy --in brief.

Hume: the proof, considered as an allegedly scientific argument to be evaluated according to the rules of evidence which apply to arguments of this kind, proves very little: that the universe sometime arose from something like design. It shows neither the infinity nor the unity of deity and given the appearance of things has no chance of showing benevolence. Indeed given possible alternative hypotheses it may prove nothing at all.
        Hume finds it difficult to avoid the intuitive appeal of the argument, or, rather, of the experience behind the argument.  Natural good sense, he thinks (or apparently thinks) is in favour of it, and a sensible person would probably admit in spite of all their scruples aht the cause or causes of order in the universe probably do bear some remote analogy to human intelligence.

Kant: the proof, though it always deserves to be mentioned with respect, as the oldest, the clearest and that most in conformity with the  common reason of humanity, can, at most, demonstrate the existence of an architect of the world, whose efforts are limited by the capabilities of the material with which he/she/it works, not of a creator of the world. [cf. Plato's Demiurge}


 For a contemporary philosophical defence of the argument, moderately sophisticated, see Richard Swinburne, The Existence of God (1979), Ch. 8. Also, Richard Swinburne, "The Argument from Design", Philosophy, Vol. XLIII, No. 5, July 1968, pp. 199-212. For an appreciation of Swinburne, see Mark Wynn’s recent article.

Swinburne also has an argument from beauty: our experience of beauty in the universe as constituting grounds for a probable argument for the existence of a God with a feeling for beauty. There are whole heaps in recent philosophical literature, a lot of it having to do with Hume's supposedly devastating critique. For some references, see bibliography in Volume II of The Doing of Philosophy in the Philosophical Works of David Hume (doctoral dissertation, Leuven 1985), in library. See also H.D. Lewis, Philosophy of Religion (Teach Yourself Books, The English Universities Press, London, 1965), Ch. 17.
 

The Design Approach, as already noted, is a strong element within contemporary scientific theism, often in combination with a version of the Cosmological Way. See people referred to under Intuitive Presentation, above, references in general bibliography. Also David Griffin, editor, The Reenchantment of Science, and works by Charles Birch. See especially Paul Davies and John Polkinghorne, and from the philosophical side, Peter Forrest, God without the Supernatural.
 

We now turn to a family of Ways which have less to do with the World Out There and rather more to do with the human world, the world of interpersonal relationships and of everyday experiences and strivings, where, it seems, God is also to be found, by some people even more readily.

Go now to  Truth, Goodness and Beauty
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