Screenwriting: History, Theory and Practice. London: Wallflower Press, 2009.

"On Transmission: A Metamethodological Analysis (after Regis Debray) ", fibreculture journal, 12 (2008). http://journal.fibreculture.org/issue12/issue12_maras.html

"Reading James W. Carey on the University Tradition", Australian Journal of Communication, vol. 34, no. 3 (2007), 23-37.

"Communicating Criticality", International Journal of Communication, vol. 1, no. 1 (2007 Feb 7). http://ijoc.org/ojs/index.php/ijoc/article/view/4

"The Emergence of Communication Studies in Australia as 'Curriculum Idea'", Australian Journal of Communication, vol. 33, no. 2,3 (2006), 43-62.

"Travelling with James W. Carey", Media International Australia, incorporating Culture and Policy, no. 120 (August 2006), 21-34.

"Television, Participation and Social Capital", Continuum: Journal of Media and Cultural Studies, vol. 20, no. 1 (March 2006), 87-109.

"The Problem of Theory and Practice: Towards a Constitutive Analysis", Journal of Media Practice, vol. 6, no. 2 (2005), 93-103.

"Some Theses on Critical Communications Practice", Proceedings of the Australian and New Zealand Communication Association Annual Conference 2005, Christchurch, New Zealand 4-7 July, 2005. http://www.mang.canterbury.ac.nz/ANZCA/FullPapers/17PR&CommunityCommFINAL.pdf

"Reflections on Adobe Corporation, Bill Viola, and Peter Ramus while Printing Lecture Notes", M/C Journal, vol. 8, no. 2 (2005). http://journal.media-culture.org.au/0506/05-maras.php

"The Photoplay as Emergent Media Form: Victor O. Freeburg and Vachel Lindsay on Photoplay Aesthetics", Screening the Past: An International, Refereed Electronic Journal of Visual Media and History, no. 17 (2004). http://www.latrobe.edu.au/screeningthepast/stp17/newfirstrelease/fr17/SMFr17a.html

"Thinking about the History of ANZCA: An Australian Perspective", Australian Journal of Communication, vol. 31, no. 2 (2004): 13-51.

"Notes on a Genre to Come: Screenwriting and the 'Thesis-Film'", Cultural Studies Review, vol. 10, no. 2 (2004): 85-98.

"Communication and Social Capital Theory: A Preliminary Discussion", Southern Review: Communication, Politics & Culture, vol. 36, no. 3 (2003): 44-63.

"Presidents Reflect on ANZCA: Past and Future", Australian Journal of Communication, vol. 30, no. 1 (2003): 1-24.

"The Communications Environment", Media International Australia, incorporating Culture and Policy, No. 106 (February 2003): 94-109.

"The Status of the Film Script Under US Copyright Regulations: A Historical Note", Media and Arts Law Review, Vol. 8, No. 1 (March 2003): 31-39.

"Re-Defining the Politique: Screenwriting, Auteur theory, and the Separation of Conception and Execution", Interdisciplinary Humanities, vol. 19, no. 1/2 (2002): 65-74.

and Lelia Green. "From Impartial Objectivity to Responsible Affectivity: Some Ethical Considerations of the 9-11 Attacks on America and the War on Terror", Australian Journal of Communication, vol. 29, no. 3 (2002): 17-30.

"The Medium as Platform: An Emerging Sense of Medium", nmediac: The Journal of New Media and Culture, vol. 1, no. 2 (Summer 2002). http://www.ibiblio.org/nmediac/summer2002/platform.html

"A Semiotics of the Proxy", Social Semiotics vol. 12, no. 1 (2002): 115-129.

and David Sutton with Marion Benjamin. "Multimedia Communication: An Interdisciplinary Approach", Information Technology, Education and Society vol. 2, no. 1 (2001): 25-49.

Book review, Paul Patton, Deleuze and the Political, Southern Review vol. 34, no. 1 (2001): 125-128.

"Beyond the Transmission Model: Shannon, Weaver, and the Critique of Sender/Message/Receiver", Australian Journal of Communication vol. 27, no. 3 (2000): 123-142.

"Translating Michele Le Doeuff's Analytics" in Michele Le Doeuff: Operative Philosophy and Imaginary Practice, Ed. Max Deutscher. Humanity Books, 2000. pp. 83-104.

"Thinking with the Medium: An Approach to Skilling", The UTS Review vol. 6, no. 2 (November, 2000): 141-166.

"One or Many Media?", M/C: A Journal of Media and Culture vol. 3, no. 6. (2000). http://journal.media-culture.org.au/0012/many.php

and David Sutton. "Medium Specificity Re-visited", Convergence: The Journal of Research into New Media Technologies vol. 6, no. 2 (Summer, 2000): 98-113.

"The Rhetoric of Interactivity", Australian Screen Education no. 23 (Winter 2000): 36-44.

"The Film Script as Blueprint: Collaboration and Moral Rights", Media International Australia, incorporating Culture and Policy no. 93 (1999): 145-161.

"Entropy and Community: Content, Meaning and Information in Network Culture", Metro no. 120 (1999): 70-77.

"An Art of the Moment", Future Exchange (1999). ABC Radio National http://www.abc.gov.au/future/speed.htm Link inactive. Wayback Internet Archive Link

"Audio-visualising Derrida", Australian Humanities Review (July-September 1999). http://www.australianhumanitiesreview.org/archive/Issue-July-1999/maras.html

"Philosophy in the Age of Megadisciplines", Continuum: Journal of Media and Cultural Studies vol. 12, no. 2 (1998): 197-215.

"The Bergsonian Model of Actualisation", SubStance: A Review of Theory and Literary Criticism [85] vol. 27, no. 1 (1998): 48-71.

"The Internet Was Already Regulated: Netiquette, Censorship and Demarcation", Metro Education no. 14 (1998): 14-20.

"Videoconferencing as Video-writing", Southern Review: Literary and Interdisciplinary Essays vol. 30, no. 3 (1997): pp. 307-311. Part of a suite of articles with Lindsay Barrett, Marion Benjamin and Bob Hodge, "Aberrant Practice: Teaching and Learning at the Limits of Videoconferencing".

"Convergence/Divergence: Ten Definitions of Multimedia", Metro no. 108 (1996): 9-13.

"On Becoming — An Interview with Moira Gatens", Southern Review: Literary and Interdisciplinary Essays vol. 28, no. 1 (1995): 53-68. Questions and Interview by Teresa Rizzo. Edited and Introduced by Steven Maras, from a transcript of a video interview.

"Baudrillard and Deleuze: Re-viewing the Post-modern Scene", Continuum vol. 2, no. 2 (1989): 163-191. Published in electronic form in the Communication and Culture Reading Room, Murdoch University. Reprinted in Jean Baudrillard, Vol. Four. Ed. Mike Gane. London: Sage Publications, 2000. pp. 352-375.

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